MARCIAL PONTILLAS: A New Take on the Familiar
COLORSCOPE Exhibit Opens March 2 at Bravo Ristorante
Marcial Pontillas, best-known for his paintings depicting the chaos and congestion of city-life (“TALKS” 2008, “PINAS” 1998), is revisiting these themes, but in a fresh new light. After delving into abstraction and monochrome paintings; his ‘break’ from the madding crowd as it were, Pontillas’ latest obsession is in photograph-like, figurative images captured on canvas. He employs his characteristic impasto painting technique in this latest collection which he calls the “Quiapo Series.” “Nandoon pa rin ang mga ‘crowds’ pero ngayon mas-bright ang kulay na ginamit ko.” (The crowds are still present, but this time I used brighter colors.) His latest work will feature easily recognizable sites captured from a different point of view. Silhouetted subjects and back-lit scenes offer a different take on the once familiar.
His latest collection will be put on view in “Colorscope”, New Works by Marcial Pontillas. The opening cocktails will be on March 2, 2010 from 6 to 10 pm at Bravo Ristorante, 114 H.V. dela Costa St., Salcedo Village Makati City. The exhibit runs Mondays to Saturdays, 11am to 9pm, until March 31, 2010. Colorscope is a production of RPA & Communicate with support from Manny O Wines and 100 Magazine.
Having already garnered awards in recognition of his talent, Pontillas, as part of an ensemble of young artists participated in Young Art Philippines 2009 in Europe last June. Organized by the KUNST Gallery, his work was featured at several galleries and museums such as the Chelsea Gallery in London, KAMILLUSHAUS in Germany and MOYA – Museum of Young Art in Vienna. In May, Pontillas had his 8th Solo Exhibit at the Momentous Gallery in Singapore.
Marcial Pontillas was born in Camarines Norte, Bicol where in his elementary years he already showed promise winning art contests at school. His inspiration then was taken from the paintings that were featured as the covers of his school books. Even at a young age, Marcial already admired the masters. He mentions Fernando Amorsolo’s paintings as the first to captivate him. Later on, his interest shifted to the works of Danny Dalena and Victorio Edades. In high school, encouraged by his family and teachers, he joined and either won or placed in several art competitions, slowly honing his talent and feeding his love of self-expression through art. He moved to Manila for college and went to the Far Eastern University (FEU) where he graduated from the College of Fine Arts. At present he holds the position of professor at FEU, teaching Advertising Art and Painting.
“Araw-araw, nagpipinta ako o gumagawa ng mag sketch,” (Everyday, I paint or draw sketches.) the artist explains. “Hindi ko iniisip kung mayroong bibili sa mga ito o wala, basta pinta lang ako nang pinta.” (I don’t think about whether someone will buy them or not, I just keep on painting.)
Heavily influenced by the painting style of neo-expressionist Jorg Immendorf and realist Matthew Radford, Pontillas uses vivid colors and bold brush strokes to draw the viewer in; his message of social responsibility is conveyed only upon closer inspection of the artwork. When asked about his role as a social realist, Pontillas is quick to point out that although the crowds he often depicts reflect the stark realities of city-life, he wants the viewer to come away with a sense of hope; that he or she can be an instrument of change in our society. His paintings are there to mirror what is happening in Philippine society as he believes that it is part of an artist’s responsibility; to show the truth in their art. He attributes this attitude of hope to his strong faith in God, and in the idea that no matter how seemingly hopeless things appear, one need only look up to the Heavens to be reminded that we are not alone in our struggles.
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